Appearing on an episode of The Jennifer Hudson Show, the “Don’t Be Cruel” singer shared that his slanted haircut, also known as “The Gumby,” was an accident.

“That was your swag,” Jennifer Hudson told Brown while showing him a picture of himself from back in the day.

That was a mistake,” the 46-year-old said. “It was a mistake that turned out to be great.”

“I was at the barbershop and I looked the wrong way while he was cutting my hair. I was looking at somebody, and I shouldn’t have been. But he cut my hair the wrong way and I left it,” he continued.

The one-of-a-kind look was seen in several music videos, such as “My Prerogative” and “Every Little Step.”

Although he thought it was an original style, Brown said  Quincy Jones informed him that he had seen the haircut before.

“But later on in life, I went to the late, great Quincy Jones’ house, and I saw a picture on his wall, and it was his great-grandfather, who had a haircut just like that,” Brown said. “And I’m like, ‘This old man trying to jack my style,'”

“[Quincy] was like, ‘Ain’t nobody trying to jack nothing,” he recalled. “That hairstyle has been in rotation, it’s been out for so long.’ [So] I stole his hairstyle.”

While a guest on Club Shay Shay,  Brown told his story about his haircut and Jones giving him the history on it.

“‘That picture is 40-something years old, and that’s my grandfather,'” he said, Jones told him. “And his grandfather had a Gumby. I was like, ‘Wow.”

Appearing on the latest episode of The Hollywood Reporter’s Stand-Up Roundtable, Foxx, who was joined by Sarah Silverman, Seth Meyers, Roy Wood Jr., and others, shared an unbelievable night he spent with Brown and a group of friends.

“One night, me and Bobby Brown, we’re doing our thing, we’re f**ked up, and we’re doing ‘Don’t Be Cruel,’ Foxx recalled

“So, we’re partying, and I say, ‘I got to use the bathroom,'” the Oscar winner continued. “And while I’m in the bathroom, I hear, “Now, Jamie, let me tell you something, I don’t do this for nobody. I usually get a million dollars to sing a song.”

Foxx went on to explain that it was Whitney Houston who started singing “I Will Always Love You,” and he grabbed his camera to record it.

“So now I got the tape, I go back to my crib, we’re having a little afterparty, and all of a sudden I hear this (knock, knock, knock) … It’s Bobby Brown,” Foxx explained.

“He’s like, ‘I got to take that tape,'” added Foxx. “I said, ‘Bobby, I don’t have it.'”

“‘Well, I got to take something.’ So, he goes into my closet, and he’s taking clothes. He’s matching outfits and shit,'” alleged Foxx.

Foxx admitted that he’s still in possession of the footage that Brown so desperately wanted — but he has no intention of sharing it with the public.. “I have the tape,” explained Foxx. “But it doesn’t mean anything anymore. Why? YouTube.”

Elsewhere during the discussion, Foxx shared how he felt when people said he had a clone after he recovered from a stroke.

 “When they said I was a clone, that made me flip. I’m sitting in the hospital bed, like, ‘These bitch-ass muthaf**kas are trying to clone me,'” Foxx said.

When asked who best carries the torch left behind by the King of Pop, the New Edition legend didn’t pause. “Chris Brown is the closest thing to Michael Jackson,” Brown said. “He’s still young, still has something to prove, but he’s on his way.”

That kind of endorsement doesn’t come lightly. Brown’s legacy is stitched into the fabric of modern R&B. He knows firsthand what it means to move crowds with style, voice, and presence.

His assessment cuts deeper than popularity—it speaks to instinct, spectacle, and staying power. In Brown’s view, Chris possesses a restless creativity and physical intensity that echoes Jackson’s legacy more closely than the smooth, calculated moves of Usher.

Chris Brown’s discography now stretches across nearly 20 years. He’s amassed global hits, crossed genres, and kept audiences enthralled with marathon performances and intricate choreography.

He dances with the speed of instinct and sings with a precision that still surprises. Despite the controversies that shadow his name, his musical contributions remain potent. Critics may wrestle with the artist, but many still recognize the raw talent.

Usher, by contrast, is known for elegance and control. His influence is enduring, with albums like Confessions defining an era. His path has been one of consistency and professionalism.

Yet Brown’s comparison isn’t about respectability. It’s about raw energy, spectacle, and risk. Chris Brown, for better or worse, brings volatility—something Michael Jackson also embodied, artistically and personally.

Bobby Brown’s words inevitably sparked backlash. Chris’s past legal issues remain a flashpoint, especially when weighed against the reverence Jackson commands. But Bobby wasn’t speaking to morality. He was judging performance, charisma, and the unteachable fire that separates icons from stars.

For some, Usher’s polish makes him the ideal heir. For others, Chris’s chaos, brilliance, and resilience reflect a deeper kinship with Jackson’s complicated genius.

The conversation will continue. But in Bobby Brown’s eyes, Chris isn’t walking in Michael’s shadow—he’s blazing beside it.

Specifically, Ross alluded to incidents involving Drake’s interactions with underage celebrities. In 2018, Stranger Things star Millie Bobby Brown revealed that she and Drake exchanged “I miss you” texts when she was 14 years old, prompting concerns about the nature of their relationship due to the significant age gap. Similarly, Drake’s communication with singer Billie Eilish when she was 17 raised similar questions among the public.

Drake addressed these controversies in his song “Another Late Night,” featuring Lil Yachty. In the track, Drake dismisses the critics, rapping, “Weirdos in my comments talking ‘bout some Millie Bobby, look. Bring them jokes up to the gang, we get to really flockin’.”

This lyrical exchange underscores the intense nature of the ongoing dispute between Drake and Rick Ross within the Hip-Hop community, where personal controversies are used as ammunition in the battle for dominance and recognition.

Making an appearance on Bill Maher’s Club Random Podcast, where they discussed the impact of “Not Like Us.” Maher argued that calling Drake a pedophile is “serious allegations.” According to Xzibit, there are no rules in rap battles. He also brought up some of Drizzy’s alleged behavior with young girls that he thought was suspect.

“I have no idea about what he’s doing with his boy, you know, that don’t sound right,” Xzibit said referring to Drake calling himself a Certified Lover Boy. “I just know that’s where that comes from, that clip. And then he was talking to the Millie Bobby Brown girl about relationship sh*t.”

X went on to compare the battle to  David vs. Goliath, characterizing Lamar as the underdog against Drake.

“What you’re seeing and why people are celebrating it so much is that this big, huge machine and this so-called rapper from Compton… Yes, he has success, but he’s not as big as Drake,” he added.

When Maher attempted to focus on the pedophile accusations, Xzibit said that all is fair in love and war.

“No. Are you kidding?” X exclaimed. “This is a rap battle! This is not a testimony or deposition. This is a f**king rap battle,  I’m going to talk about your mama, your daddy, your children, your grandma’s wooden leg, your missing teeth. It’s all a game, right?”

“If there was something weird going on, then there would definitely be people that would come forward and testify, and then people would be charged for that,” Xzibit said. “But when you’re playing the dozens, and I give you one that hurts your feelings, don’t be the guy who wants to fight because I got a good joke.”

A worldwide smash, “Not Like Us” debuted number one on the Billboard charts in 2024, and spent 20 weeks at number one on the Hot Rap Songs chart. The scathing diss track was also a top hit in the UK, New Zealand, and Australia. 

Speaking ahead of his Broadway debut, Tank weighed in on the growing controversy surrounding ticket costs, particularly for Denzel Washington and Jake Gyllenhaal’s “Othello,” which is reportedly charging nearly $1,000 per seat. While some balk at the price, Tank sees it as a reflection of their legendary status. He believes their names alone justify the cost, but he also encourages audiences to plan their budgets wisely so they can still experience the magic of live theater.

“Hell’s Kitchen” is deeply personal for Alicia Keys, rooted in her upbringing in the tough New York neighborhood that shares its name. Tank is fully committed to honoring that story, praising the script for its depth and cultural significance. He has been rigorously rehearsing with the cast, ensuring he delivers a performance worthy of the play’s accolades. Stage fright isn’t a concern—his focus is on giving his best every night.

Tank’s commitment to Broadway hasn’t dulled his passion for music. Despite previously announcing his retirement from recording, he hints that he may reconsider, especially as the competitive landscape of R&B continues to evolve. He and co-host J. Valentine have become the authority of all things R&B with their R&B Money podcast.

In “Hell’s Kitchen,” Tank joins a production already decorated with Tony, Drama Desk, and Grammy Awards. The play’s success speaks for itself, and he is eager to contribute to its continued acclaim.

Though Broadway is a new frontier, Tank is no stranger to acting. His journey in film and television dates back to his 2007 debut in “Preacher’s Kid,” a faith-based drama that introduced him to audiences beyond music. He later appeared in “The Marriage Chronicles” and “The Preacher’s Son,” showcasing his versatility in romantic and dramatic roles.

On television, Tank gained recognition for his role as Donovan in BET’s “Born Again Virgin” (2015-2016), where his charisma and emotional depth made him a standout. He also made memorable appearances in “Hit the Floor,” “The Bobby Brown Story,” and “Black Lightning,” further proving his ability to transition seamlessly between music and acting.

While music remains his first love, Tank’s foray into Broadway adds another dimension to his artistry. With “Hell’s Kitchen,” he is stepping into a new chapter, proving that his talent knows no bounds.

In our premiere series celebrating 50 years of Hip Hop, “My First” details your favorite celebrities relationship with the biggest culture in the world. The conversation will revolve around questions such as the first time they fell in love with Hip Hop, first song they heard on the radio, one of their biggest experiences with the culture, and more!

In episode one, Malcolm-Jamal Warner discusses how Hip Hop impacted his life when he was young, the first time he danced The Wop on SNL, getting Run DMC’s approval, dancing with Bobby Brown, directing Special Ed’s video for “I’m The Magnificent,” and more!

In our premiere series celebrating 50 years of Hip Hop, “My First” details your favorite celebrities relationship with the biggest culture in the world. The conversation will revolve around questions such as the first time they fell in love with Hip Hop, first song they heard on the radio, one of their biggest experiences with the culture, and more!

In episode one, Malcolm-Jamal Warner discusses how Hip Hop impacted his life when he was young, the first time he danced The Wop on SNL, getting Run DMC’s approval, dancing with Bobby Brown, directing Special Ed’s video for “I’m The Magnificent,” and more!

On Sunday (August 25), the Baby Boy actor, 45, was awarded an honorary Doctorate of Philosophy in Humanitarianism from Leaders Esteem Christian Bible University, an online institution.

In a video clip taken on his special day—shared to social media —Tyrese playfully announces, “My office hours are now from 9 to 3,” and proudly calls himself “Dr. Gibson.”

Other celebs who’ve snagged similar honors from the online college include Raheem DeVaughn, Bobby Brown, Yo Yo, TS Madison, Scarface, and a whole lot more.

Check out the video below.

Tyrese’s exciting life update comes right on the heels of a shocking story from his youth.

During a recent chat with Gillie and Wallo, the “Sweet Lady” crooner opened up about his childhood, sharing how his late mother, Priscilla Murray Gibson, went to great lengths to support the family. He laughingly recounted how she had him pretend to have a learning disability to snag nearly $800 from Social Security, dubbing it his “first acting gig” and Priscilla his “first director.”

Tyrese says when he was young his mom made them act retarded at the social security building to get $780 a month
pic.twitter.com/axb30lyTBR

— My Mixtapez (@mymixtapez) August 25, 2024

Elsewhere in the news, Tyrese is sparring with his ex, Samantha Lee Gibson, over their ongoing legal drama.

Taking to Instagram Live, he vented about his legal woes, saying, “I just got another letter from her lawyers,” before touching on their attempts to get $20,000—or maybe even $40,000 in child support—from him.

Tyrese went on to accuse Samantha and her legal team of riding on his recent success to inflate their fees, calling the whole ordeal a “dirty, dirty game” and asking his fans for support as he waits for the appeals court’s verdict on his divorce.

“They’ve been looking at all of my movies, all of the concerts and shows that I’m doing… and they’re over there like bloodsucking lawyers, rubbing their hands. Samantha is doing the same thing,” he added.

The case is slated to be resolved on August 25th.

The singer is gearing up to release a two part docu-series, Biography: Bobby Brown, which will air on A&E later this month. Bobby did a recent interview about the new show- and telling his story from his perspective. In the interview, he did open about his relationship with both Janet Jackson and Madonna.

“Did I sleep with Madonna? We didn’t do any sleeping,” he reportedly said. “That just happened. I don’t even know how it happened. I don’t believe she knows how it happened. She probably knows how it happened, but we didn’t do no sleeping.” Janet on the other hand, he says he was simply crushing.

“Then there was Janet Jackson, I had a big crush on Janet,” said Brown. “What was it about Janet? Everything. Her little smile, body, her dance moves, her little laugh.” Things didn’t work out between the two because Janet reportedly said she  “couldn’t be with a man like myself.”

Will you be tuning into Bobby Brown’s new documentary?

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